Call it a conspiracy: How conspiracy belief predicts recognition of conspiracy theories.

While conspiracy theories are treated as irrational fringe beliefs in popular culture, conspiracy belief is quite common. Given the disconnect between stereotypes about conspiracy belief and its prevalence, I tested whether people have difficulty recognizing the conspiracy theories that they believe as conspiracy theories. Across two studies I demonstrate that people have considerable difficulty identifying conspiracy theories they believe as conspiracy theories, particularly when they do not take much time to consider whether their beliefs might be conspiracy theories. This is consistent with the notion that people experience "conspiracy blindness." People have trouble recognizing the conspiracy theories they believe as conspiracy theories because they do not take the time to consider whether their beliefs might be conspiracy theories. In Study 2, I demonstrate that people can overcome their conspiracy blindness and recognize the conspiracy theories they believe as conspiracy theories when they are given a definition for "conspiracy theory" and asked to consider their answer. This suggests that people are typically ignorant of their own conspiracy beliefs, but capable of recognizing them when given the tools and motivation to do so. However, recognizing their beliefs as conspiracy theories does not reduce their adherence to those beliefs.

"Música Paraense" e Terruá Pará: identidade regional, indústria cultural e psicologia das massas / "Pará Music" and Terruá Pará: regional identity, cultural industry and mass psychology / La «Musique Paraense¼ et le Terruá Pará: identité régionale, l'industrie culturelle et la psychologie des foules / "Música Paraense" y Terruá Pará: identidad regional, industria cultural y psicología de las masas

Desde a consolidação de emissoras de rádio e TV no Pará, a mídia local propaga a ideia de uma "música paraense", título utilizado com frequência em uma série de eventos recentemente produzidos dentro e fora do estado. Ao contestar essa singularização, a presente pesquisa apresenta uma análise psicossociológica dos mecanismos que operam na inter-relação entre indústria cultural e formação de massas, utilizando como objeto privilegiado de estudo o espetáculo Terruá Pará. Visando tal intento, além do recurso à revisão bibliográfica, realizou-se uma pesquisa documental sobre parte do material impresso produzido para a terceira edição do festival. Em termos conclusivos, defende-se que o Terruá Pará, embora pautado por um discurso pretensamente racional em prol da valorização da música regional, torna-se dialeticamente promotor de irracionalidades expressas na sugestão de modos de subjetivação específicos que, desconsiderando diversidades, acabam por reduzir o seu público consumidor à qualidade de multidão abstrata

Since the consolidation of radio and TV broadcasters in Pará, local media has propagated the idea of a "Pará music," moniker often used in a series of events produced in and outside the State. By contesting such singularization, this psychosociological analysis unveils the mechanisms that mediate cultural industry and mass formation by analyzing the spectacle Terruá Pará. For this purpose, a bibliographic review was conducted, as well as a documentary research concerning part of the printed material produced for the festival's third edition. In conclusion, although Terruá Pará appears based on an allegedly rational discourse to value regional music, it dialectically promotes irrationalities expressed in specific modes of subjectivation that, disregarding diversity, reduce its consuming public to the quality of abstract crowd

Depuis la consolidation des stations de radio et télévision à l'état du Pará, les médias locaux ont diffusé l'idée d'une «musique paraense¼, expression souvent utilisée dans une série d'événements récemment produits dans cet état autant que dehors. En contestant cette singularisation, cette recherche présente une analyse psychosociologique des mécanismes agissant dans l'interrelation entre l'industrie culturelle et la formation des foules, en prenant comme objet principal d'étude le spectacle Terruá Pará. Dans ce but, outre le recours à l'étude bibliographique, on a mené une recherche documentaire sur une partie du matériel imprimé produit pour la troisième édition du festival. En conclusion, on soutient que Terruá Pará, bien que guidé par un discours prétendument rationnel en faveur de la valorisation de la musique régionale, devient dialectiquement promoteur d'irrationalités exprimées par la suggestion de modes de subjectivation spécifiques qui, en ignorant les diversités, finissent par réduire son public consommateur à une foule abstraite

Desde la consolidación de las estaciones de radio y televisión en Pará, los medios locales han difundido la "musica paraense", título de uso frecuente en eventos producidos dentro y fuera del Estado. Al impugnar esta singularización, esta investigación presenta un análisis psicosociológico de los mecanismos que operan en la interrelación entre la industria cultural y la formación de masas, utilizando como objeto privilegiado de estudio el espectáculo Terruá Pará. Además del uso de la revisión bibliográfica, fue llevada a cabo una investigación documental sobre parte del material producido para la tercera edición del festival. En conclusión, se argumenta que Terruá Pará, aunque guiado por un discurso supuestamente racional a favor de la valorización de la música regional, se convierte dialécticamente en promotor de irracionalidades expresadas en la sugerencia de modos específicos de subjetivación que, sin tener en cuenta las diversidades, reducen su público consumidor a la calidad de multitud abstracta

As Ozempic's Popularity Soars, Here's What to Know About Semaglutide and Weight Loss.

This Medical News article discusses chronic weight management with semaglutide, sold under the brand names Ozempic and Wegovy.

Popular fad diets: An evidence-based perspective.

Despite the emergence of stronger nutritional science over the past two decades, fad diets remain highly popular. However, growing medical evidence has led to the endorsement of healthy eating patterns by medical societies. This thus allows fad diets to be compared to the emerging scientific evidence as to which diets promote or damage health. In this narrative review, the most popular current fad diets are critically analyzed, including low-fat diets, vegan and vegetarian diets, low-carbohydrate diets, ketogenic diets, Paleolithic diets, and intermittent fasting. Each of these diets has some scientific merit, but each has potential deficiencies relative to the findings of nutritional science. This article also presents the common themes that emerge among the dietary guidance of leading health organizations, such as the American Heart Association and the American College of Lifestyle Medicine. While there are important distinctions between dietary recommendations emanating from various medical societies, each recommends eating more unrefined, plant-based foods, while eating fewer highly processed foods and added sugars, and avoiding excessive calorie consumption as an important nutritional strategy for the prevention and management of chronic conditions and promotion of overall health.

Popular diets as selected by adults in the United States show wide variation in carbon footprints and diet quality.

BACKGROUND: Carbon footprints of vegetarian, pescatarian, and other popular diets have been studied previously, but mostly as idealized versions modeled to meet dietary recommendations. Less is known about the footprints of popular diets as they are consumed by US adults, and thus the potential trade-offs with diet quality for free-living individuals. OBJECTIVES: This study estimated the carbon footprint and diet quality of popular diets as selected by a nationally representative sample of US consumers, including the recently trending keto- and paleo-style diets. METHODS: The 2005-2010 NHANES 24-h recall data were used to categorize individual adult diets (n = 16,412) into 6 types: vegan, vegetarian, pescatarian, paleo, keto, and all other diets, referred to here as omnivore diets. Average daily greenhouse gas emissions in kilograms of carbon dioxide equivalents per 1000 kcal (kg CO2-eq/1000 kcal) were calculated for each diet by matching our previously developed database to NHANES individual diet data. Diet quality was determined using the Healthy Eating Index (HEI) and the Alternate Healthy Eating Index. Survey-weighted ordinary least-squares regression was used to assess mean differences in diets. RESULTS: The average carbon footprints of vegan (0.69 ± 0.05 kg CO2-eq/1000 kcal) and vegetarian (1.16 ± 0.02) diets were lower (P < 0.05) than those of the pescatarian (1.66 ± 0.04), omnivore (2.23 ± 0.01), paleo (2.62 ± 0.33), or keto (2.91 ± 0.27) diets. Mean HEI scores were highest for pescatarian diets (58.76 ± 0.79) and higher (P < 0.05) for vegetarian (51.89 ± 0.74) than for omnivore (48.92 ± 0.33) or keto (43.69 ± 1.61) diets. CONCLUSIONS: Our results highlight the nuances when evaluating the nutritional quality of diets and their carbon footprints. On average, pescatarian diets may be the healthiest, but plant-based diets have lower carbon footprints than other popular diets, including keto- and paleo-style diets.

Análise acerca de contágio psíquico e fenômenos de massa segundo Edith Stein / Analysis about psychic contagion and mass phenomenons according toEdith Stein

O presente artigo objetiva analisar os fenômenos de massa em seus aspectos psicológicos a partir das contribuições de E. Stein, considerando o impacto e potenciais consequências destrutivas desses fenômenos como apontados por H. Arendt ao estudar governos totalitários. Após contextualizar o debate acercado tema, ocorrido nas últimas décadas do século XIX e as primeiras do século XX, o trabalho pretende reconstruir os passos da análise fenomenológica conduzida por Stein no ensaio sobre o contágio psíquico que é parte da obra Contribuições para uma fundamentação filosófica da Psicologia e das Ciências do Espirito, publicada em 1922. Nessa análise, a autora descreve em detalhe o dinamismo através do qual o fenômeno do contágio psíquico se inicia e se alastra na vivência pessoal e de grupo. O estudo conduzido comprova a originalidade, atualidade e utilidade acerca dessa contribuição da filósofa alemã, inclusive para a psicologia e psiquiatria contemporâneas

This paper aims to analyze mass phenomena in their psychological aspects through the contributions of E. Stein, considering the impact and potential destructive consequences of such phenomena pointed out by H. Arendt when studying totalitarian governments. After contextualizing the debate on the subject, whichtook place in the last decades of the 19th century and the first decades of the20th century, this work intends to reconstruct the steps of the phenomenological analysis conducted by Stein in the essay on psychic contagion that is part of the work Contributions to a philosophical foundation of Psychology and Sciences of the Spirit, published in 1922. In this analysis, the author describes in detail the dynamism through which the phenomenon of psychic contagion begins and spreads in personal and group experiences. The study conducted proves the originality, relevance and usefulness of this contribution of the German philo-sopher, regarding the contemporary psychology and psychiatry

Distinctions in the making: A theoretical discussion of youth and cultural capital.

The aim of this paper is to address the dynamics of contemporary cultural capital by interrogating what counts for young people as valuable cultural resources. Considerable support is given in later scholarship for Bourdieu's model of the social space, as the overall volume of economic and cultural capital combined is regularly found to be the most important axis of opposition, just as in Bourdieu's work Distinction. Yet, while Bourdieu found the second axis to be structured by an opposition between those with cultural rather than economic capital, and vice versa, many later studies instead find oppositions between the young and the old to structure the second axis. Up till now, this finding has not been adequately addressed. In this paper, we hold that considering age-related inequalities offers a powerful way of interpreting recent developments in order to understand the changing stakes of cultural capital, and also their interaction with the intensification of inequalities in economic capital. After a theoretical clarification of the relationship between cultural capital and youth, we will synthesise research on young people and explore the significance of youthful cultural consumption. We will pragmatically focus on the 15-30 years old and put a particular accent on Norwegian studies in our review, as they are the most sophisticated in this genre. Four areas are explored: the restricted role of classical culture; the appeal of popular culture; digital distinctions, and moral-political positions as markers of distinction.

Educação popular em saúde e a convivência com o semiárido: diálogos em verso, prosa e cenopoesia / Popular education in health and living with the semi-arid region: dialogues in verse, prose and scenopoetry

Esta obra traz as produções construídas a partir das linguagens da arte, da prosa, da poesia e da cenopoesia nos momentos de reflexão individuais e coletivos, nas ações educativas e dialógicas de interação entre os diferentes atores sociais, tanto no Curso de Especialização/Aperfeiçoamento em Educação Popular para a Promoção de Territórios Saudáveis na Convivência com o Semiárido como nas ações de interação e/ou intervenção nos territórios. Além de saborear as delícias da sabedoria trazida pelos mestres da cultura popular, podemos trazer nosso corpo inteiro para nos colocarmos no lugar que estas palavras em prosa, poesia e cenopoesia nos levam a vivenciar através das belezas que aqui se apresentam. Esta obra também nos presenteia com a possibilidade de podermos compartilhar com amigos/as, companheiros/as de luta e de jornadas os roteiros cenopoéticos, as poesias em encontros, cursos e atividades na nossa caminhada de produção de vida e libertação!

The power within: Mass media, scientific entertainment, and the introduction of psychical research into China, 1900-1920.

How did a new science initially promoted by only a few individuals eventually become a widespread cultural phenomenon practiced and known by thousands of people? Following a transnational approach, this article traces the introduction of psychical research into China during the first two decades of the 20th century. Known in the Republican period (1912-1949) as Spiritual Science (xinling kexue or xinling yanjiu), psychical research flourished between the 1920s and 1930s, playing a key role in the popularization of applied psychology and mind-cure across China. This article takes a step back from the heyday of Spiritual Science by looking at the period that immediately preceded and helped define it. Focused on wide-circulation newspapers, popular manuals, and stage performances, it teases out the ways in which Chinese popular culture translated European, American, and Japanese psychical research to local Chinese audiences in the midst of China's search for modernity. By naturalizing the reality of psychic powers, spiritual scientists blurred the boundaries between science and superstition in a period when these were posited as diametrically opposed.

The Dissemination, Influence, and Efficiency of Jameson's Cultural Theory Combined with Chinese Mass Culture and Mass Sports Culture in the Sustainable Development of China.

Fredric Jameson's cultural theory forms a crucial part of the Western Marxist theory. Jameson's postmodern cultural theory includes cultural expansion, cultural history, cultural hyperspace, cultural ideology, and so on. The cultural expansion includes the outline of popular sports culture. (1) Content: In order to further understand the acceptance of Jameson's cultural theory in China, this paper explores the communication of Jameson's cultural theory in different cultural groups, different regions, and different communication channels in China based on the questionnaire survey in a larger span of social groups. Meanwhile, based on Jameson's theory, it also reveals that sports is an effective way to achieve national stability and rejuvenation. Mainstream culture not only leads fashion, educates the people, serves society, and promotes development but also has the common characteristics of mass culture, commerce, entertainment, popularity, and media dependence. Sports is both mainstream culture and mass culture, which is the positive energy shared by both. (2) Methods: In order to understand the special meaning of Jameson's cultural theory and its influence on Chinese mass culture and sports, this paper systematically explains Jameson's cultural theory and gives a critical explanation to Jameson's cultural theory, different regions, and different communication channels in China based on the questionnaire survey in a large span of mass culture and sports groups. (3) Results: the majority of readers who buy and read Jameson's cultural works are mainly 25-35 years old with high educational background. The top three regions for the number of consumers who buy his papers and books are Zhejiang, Hubei, and Guangzhou; the top three regions in the number of understanding Jameson's cultural theory are Beijing, Shanghai, and Shenzhen; 41.62% of the respondents only know Jameson's name but have not been exposed to his work; and 34.59% of the respondents have learned about his work through news feeds. (4) Conclusion: the influence of Jameson's cultural theory on Chinese mass culture and sports community is on the rise. Systematic sorting and interpretation of Jameson's cultural knowledge can provide support for Chinese mass culture and mass sports culture to carry forward socialist cultural thoughts.

Dermatographism in popular culture.

Dermatographism was first described by William Heberden (1710-1801) more than 250 years ago as a type of urticaria brought on by rubbing or scratching the skin. In 1859, William Gull (1816-1890) gave it the name factitious urticaria, distinguishing dermatographism from chronic urticaria, in which the skin lesions appear spontaneously. During the 1870s French physicians at the Salpetriere Hospital in Paris became impressed by their ability to write words on the bodies of patients admitted with hysteria and other psychiatric disorders, who also exhibited dermatographism. At first, they described this phenomenon as "autographisme," but by 1890 it became known as "dermographisme," the forerunner of the current term "dermatographism." At the Salpetriere and elsewhere in the world, it became fashionable to photograph patients with dermatographism, to capture the striking urticarial writing on their skin. These photographs were used in atlases and to illustrate dermatology texts and medical journals as well as popular magazines. This contribution presents several vintage photographs of dermatographism from the late 19th century to the early 20th century. Dermatographism has also become featured in popular culture including film, comic books, poetry, and body art, examples of which are provided in this contribution with the assistance of two of our authors, Ariana Page Russell and Jeannine Hall Gailey, who have embraced their dermatographism and have used their artistic and poetic talents to educate and inspire patients about this common skin condition.

Does space matter? Estimation and evaluation of required space for commercial mass culture of grasshoppers (Acridoidea: Orthoptera).

A space-dependent mortality assay was performed on thirty-one short-horned adult grasshopper species (Acridoidea: Orthoptera) to estimate the space required for mass culture of acridids in captivity. Our findings show that acridids have a multidimensional mortality mode at different densities. The correlations between density and mortality of acridids in rearing units follow a sigmoidal curve. Acridid mortality significantly increases with individual numbers up to a threshold, after which mortality does not change even if the density increases further. A log-logistic sigmoidal function expresses the dose (density)-response (mortality) relationship in the majority of acridid species. Mortality of acridids at variable densities does not necessarily correspond with the body-mass of the insects, indicating that mortality is a body-mass independent event. As a ready reference, a utility chart has been prepared, providing the necessary conversion factor for estimating space for a given number of acridids. The present information will be helpful for commercial grasshopper farming in captivity.

Critical assessment of protozoa contamination and control measures in mass culture of the diatom Phaeodactylum tricornutum.

The diatom Phaeodactylum tricornutum is considered a promising "cell factory" for high-value products fucoxanthin and EPA. But its potential has not been realized due largely to microbial contamination. In this study, seven protozoan strains were identified, of which a heterolobosean amoeba was identified as the most frequently occurring and destructive predator in P. tricornutum culture. The addition of 400 mg L-1 NH4HCO3 inhibited amoeba proliferation with little impact on algal growth. Halting culture mixing at night induced a hypoxia environment that further inhibited amoeba growth. Regardless of culture systems employed, a periodical supply of proper amounts of NH4HCO3 alone or in combination with halting culture mixing at night may prevent or treat protozoa contamination in mass culture of P. tricornutum.

Pistas do trabalho de Paulo Benedetti como gestor e produtor de cinema em Barbacena-MG no início do século XX / Ways from paulo benedetti's work as manager and cinema producer in Barbacena-Minas Gerais-Brasil at the beginning of the 20th century

O objetivo deste artigo é apresentar pistas do trabalho de gestão e produção de cinema realizado por Paulo Benedetti em Barbacena-MG no início do século XX. Para isso, recorreu-se a análise documental. Conclui-se que Benedetti foi pioneiro na inauguração da primeira casa de projeção fixa de Barbacena e das primeiras filmagens realizadas na cidade; o seu trabalho não foi desenvolvido unicamente de modo autônomo, pois o mesmo filmou também junto a acordos comerciais; houve diversidade de temáticas em seus roteiros, que incluíram, por exemplo, diferentes locais de Barbacena e outros divertimentos da época; a produção dos filmes se deram por motivação própria e também via encomendas.

This article aims to present clues to the work of film management and production carried out by Paulo Benedetti in Barbacena-Minas Gerais-Brasil at the beginning of the 20th century. For this, we resorted to document analysis. It is concluded that Benedetti was a pioneer in the inauguration of the first fixed projection house in Barbacena and the first filming carried out in the city; his work was not developed solely autonomously, as he also filmed together with commercial agreements; there was a diversity of themes in their scripts, which included, for example, different places in Barbacena and other entertainments of the time; the production of the films took place by their motivation and also via commissions.

Entre costumbristas y románticos: el cuidado de la salud en la Andalucía del siglo XIX desde la mirada del otro / Between costumbristas and romantics: health care in nineteenth-century Andalusia from the perspective of the other

“Lo popular” ha sido objeto de interés también en el pasado, pero no fue hasta el siglo XIX cuando a los intelectuales, superando la racionalidad ilustrada, les suscitó la necesidad de dotar de valor a aquello que emana del pueblo. Fue en este siglo cuando folcloristas, escritores, artistas, etc., generaron un vasto conocimiento sobre la vida local y lo enfrentaron al intelectualismo de la Ilustración. Exaltaron los sentimientos, las maneras populares de expresarlos, las formas de manifestarse y de vivir su cotidianeidad. En España, fueron los viajeros románticos europeos y americanos del Grand Tour, los primeros en interesarse por la descripción de las costumbres populares (AU)

Aprendizagem Cultural por Crianças de Dois Anos em seu Grupo de Brinquedo / Cultural Learning by Two-Year-Old Children in Play Group / Aprendizaje Cultural de Niños de Dos Años en el Grupo de Juego

Neste trabalho, discute-se a aprendizagem cultural de crianças de dois anos do seu entorno social, examinando, a partir de uma perspectiva sociointeracionista, o modo como participam de brincadeiras que se efetivam no grupo de brinquedo. 20 crianças foram observadas duas vezes por semana, durante 45 dias, perfazendo um total de 11 sessões videogravadas com duração média de 24 minutos. Elas brincavam livremente em espaços de um Centro Municipal de Educação Infantil, em Recife. Foram identificados e transcritos 56 episódios de brincadeiras. A análise qualitativa evidencia que as crianças trazem para a situação de interação com seus pares (microcultura) conhecimentos produzidos em diferentes ambientes sociais (macrocultura). Conhecimentos da cultura popular foram inferidos a partir dos comportamentos observados em uma encenação de maracatu e em um jogo de capoeira. O protagonismo das crianças indica que convenções e regras são respeitadas e compartilhadas, o que garante a negociação de significados e transmissão da cultura, mesmo em crianças bem novas. Imitação, ações complementares e cooperativas parecem contribuir na manutenção e reconstrução de conhecimentos com os parceiros. Sublinha-se a importância de se propiciar um contexto coletivo de desenvolvimento para instigar a participação das crianças na assimilação e construção da microcultura do grupo. (AU)

This paper discusses the cultural learning of two-year-old children of their social environment, examining, from a socio-interactionist perspective, the way they participate in play activities that take place in the peer group. Twenty children were observed twice a week, for forty-five days, totaling 11 video-recorded sessions, each one lasting 24 minutes on average. They played freely in spaces of a Municipal Center for Early Childhood Education, in Recife. Fifty-six episodes of play activity were identified and transcribed. Qualitative analysis shows that children bring knowledge produced in different social environments (macroculture) to the situation of interaction with their peers (microculture). Knowledge of popular culture was inferred from behaviors observed by featuring maracatu and a capoeira performance. The protagonism of children indicates that conventions and rules are respected and shared, which guarantees the negotiation of meanings and the transmission of culture, even among children at their earlier ages. Imitation, complementary, and cooperative actions seem to contribute to the maintenance and reconstruction of knowledge with peers. The importance of providing a collective context of development is underlined to encourage the participation of children in the assimilation and construction of the group's microculture. (AU)

En este trabajo se discute el aprendizaje cultural de niños de dos años en su entorno social, examinando, desde una perspectiva sociointeraccionista, la forma en que participan de juegos y se desarrollan en el grupo de juguetes. Veinte niños fueron observados dos veces por semana en cuarenta y cinco días, un total de 11 sesiones grabadas en video con una duración promedio de 24 minutos. Jugaron libremente en un Centro Municipal de Educación Infantil, en Recife. Se identificaron y transcribieron 56 episodios de juegos. El análisis cualitativo muestra conocimientos de los niños producidos en distintos entornos sociales (macrocultura) y interacción con sus pares (microcultura). El conocimiento de cultura popular se infirió a partir de conductas observadas en una puesta en escena de maracatu y juego de capoeira. El protagonismo de los niños indica que han respetado y compartido las convenciones y reglas, lo que garantiza negociación de significados y la transmisión de cultura, incluso en niños muy pequeños. Las acciones de imitación, complementarias y cooperativas parecen apoyar el mantenimiento y reconstrucción del conocimiento con los parceros. Se destaca la importancia de brindar un contexto colectivo de desarrollo para instigar la participación de niños en la asimilación y construcción de microcultura de grupo. (AU)

Representations of Psychoactive Drugs' Use in Mass Culture and Their Impact on Audiences.

Drug use has been increasing worldwide over recent decades. Apart from the determinants of drug initiation established in numerous studies, the authors wish to draw attention to other equally important factors, which may contribute to augmenting this phenomenon. The article aims to draw attention to the content of mass culture, especially representations of drug use in mass media, which may influence the liberalization of attitudes towards drugs and their use. The role of mass culture and its impact on the audience is discussed. It presents an overview of drug representations in the content of mass culture, e.g., in film, music, literature, and the occurrence of drug references in everyday products, e.g., food, clothes, and cosmetics. Attention was drawn to liberal attitudes of celebrities and their admissions to drug use, particularly to the impact of the presented positions on the attitudes of the audience, especially young people for whom musicians, actors, and celebrities are regarded as authorities. Indications for further preventive actions were also presented. Attention was drawn to the need to take appropriate action due to the time of the COVID-19 pandemic when many people staying at home (due to lockdown or quarantine) have the possibility of much more frequent contact with mass culture content, which may distort the image of drugs.